From the unceasing work ethic and ever-busy fingers that brought you Crushing Yellow Sun is a brand new stoner-doom project that's going to have you crawling through a dungeon in chains - Wizard Hand. This stuff takes a heavier and less psychedelic approach than Crushing Yellow Sun, trading in the long, trippy guitar solos for a low and groaning stoner sleaze. Dark and murky songs slog their way through the gloom led by the sound of dirty, crunchy riffs and grumbled vocals pontificating on themes of zombies, wizards, and weed. It treads at a relatively slow pace and with blunt steps which gives things a weary kind of feel but you still get a sense of its dormant strength - like a tired warrior dragging a giant mace on the ground behind them. "Dying Wizard's Sleep" and "Instrumental #2" ditch the vocals instead opting to let the music stir up the darkness and explore the shadows that they've created. On top of all that, there may or may not be a hidden track at the end featuring a doom-ified version of a KISS classic - but you'll have to pick it up the album to know for sure! Whole thing comes across dark, natural, and a little nasty - just the way I like it! -Brandon
Tuesday, October 9, 2018
Wizard Hand - S/T (2018)
From the unceasing work ethic and ever-busy fingers that brought you Crushing Yellow Sun is a brand new stoner-doom project that's going to have you crawling through a dungeon in chains - Wizard Hand. This stuff takes a heavier and less psychedelic approach than Crushing Yellow Sun, trading in the long, trippy guitar solos for a low and groaning stoner sleaze. Dark and murky songs slog their way through the gloom led by the sound of dirty, crunchy riffs and grumbled vocals pontificating on themes of zombies, wizards, and weed. It treads at a relatively slow pace and with blunt steps which gives things a weary kind of feel but you still get a sense of its dormant strength - like a tired warrior dragging a giant mace on the ground behind them. "Dying Wizard's Sleep" and "Instrumental #2" ditch the vocals instead opting to let the music stir up the darkness and explore the shadows that they've created. On top of all that, there may or may not be a hidden track at the end featuring a doom-ified version of a KISS classic - but you'll have to pick it up the album to know for sure! Whole thing comes across dark, natural, and a little nasty - just the way I like it! -Brandon
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